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This piece was illustrated by Cole, Timothy. Artist signature in print - bottom left of image.
Cole, Timothy
Timothy Cole (1852 - 1931) was one of the most successful and talented wood engravers of the late nineteenth century, and was one of the last great American wood engraving masters working in an increasingly rare and obsolete art form. His work was highly regarded for its meticulous detail, exactness, and range of subject matter, making Cole one of the most sought after wood engravers in the publishing industry at the time. His work exemplifies absolute fidelity to the form, texture, massing, and light apparent in the originals from which he worked, yet captures an insight, spirit, and meaning that would simply go unnoticed by a less talented and insightful engraver. Born in 1852 in London, Cole immigrated to the United States at the age of five. At sixteen years of age, he was apprenticed to Bond & Chandler, a Chicago, Illinois engraving firm. At the age of eighteen, Cole abandoned engraving, pursuing a career in music. However, following the Chicago Fire in 1871, Cole and his family found themselves possessionless and homeless, forcing Cole to return to engraving. He found employment in New York City as a technical engraver for periodicals, including Scientific American.
In 1874 Cole joined the staff of Scribner's Monthly, a predecessor to Century Magazine (The Century Illustrated Monthly Magazine). In 1883, Cole was sent to Europe to engrave a set of blocks after old masters' work throughout Europe. This initial foray was immensely popular with readers and proved successful for Century.
